Who Would You Like to See in the Sequel?

My next project is the sequel to “The Cottages at the Cape – Margie’s Summer Getaway” and Tanya is going to be a central character, as is, of course, her sidekick Janie MacDonald, paralegal extraordinaire.

Who, of the characters that populated the original novel, would you like to see pop into Tanya’s world and flesh it out some? Would you like one or both of Tanya and Janie to have a love interest? (knowing as you do, that Tanya is a love ’em and leave ’em kind of lady)

There will be new characters, of course – it would be boring to recycle all the same ones. Boring to read and boring to write.

Meet Mrs. Irma Keist, who pops into Tanya and Janie’s new practice in Dartmouth, NS, with a surprising story to tell:

She had announced herself when she walked in: “Mrs. Irma Keist here, I’m a battered wife.”

Then she’d sat in the broadest of the reception-area chairs, being broad herself, and flipped through the pages of a vintage Good Housekeeping magazine, saying not a word.

“Mrs. Keist, can I get you a cup or tea or coffee? Can I take your coat and hang it up?” Janie tried.

“No, and no.” was the reply.

Janie sat in the next closest chair with her phone in hand, record function enabled.

“How about we start by taking your personal info so I can get you set up in a file on our system?”

“No”, was Irma’s reply, “If I gotta pay to talk to you people, I’ll talk to the lawyer, thank you.”

Just for fun, here’s the prompt I wrote to generate this image with AI (Microsoft Designer):

a tall wide middle aged woman in a long cloth coat and red tuque with steel grey curls sticking out of the tuque sits in a reception chair in an office reception area while a petite short, dark-haired young professional woman sits in a chair beside her, leaning towards her and holding a cell phone. Outside a broad window there is a residential street with lawns and flowers in a colorful, pixel art style.

Notice that there is a ‘Reception’ sign on the upper right hand side of the image that seems to just float there. One of the oddities of AI images – things that appear and seem detached. My fav genius, Megan, fixes that shit. I just sit and marvel at it.

Images are fun to create, but the downside is that now, Janie MacDonald and Irma Keist are carved in stone and are kind of cartoonish. That may not be a look I want for my creatures. But it’s early in the game, alors. Nous verrons. Allons-y!

First Novel – The Cottages at the Cape

This was the image used on the original cover. It was followed by the image below, which is the current cover image.

I use Microsoft Designer to create cover and other images. I’m not particularly good at editing AI images, so I have to describe what I want very thoroughly to get a decent image. Luckily, I know talented Megan who does know what she’s doing and has offered to be my cover-graphics resource. Thank you, Meg!

Here’s a excerpt from The Cottages at the Cape:

Tanya at the Cape – July 28

     Margie and Tanya strolled slowly up the beach toward Margie’s seaside sofa, mugs of coffee in hand, while Scabby tore ahead, chasing seagulls and phantoms. In days gone-by Tanya and Margie drank their coffee thick and rich with 18% cream and two heaping teaspoons of sugar. It was their thing, a habit they had formed while Tanya studied law at Dalhousie, and later while she prepped for the Bar exams: Margie brewed cup after cup and brought them downstairs to Tanya, ensconced at the desk in her warm and messy den, unwashed, disheveled, smoking and thrumming with nervous energy and caffeine; Margie would hover a moment in case Tanya needed to tear her eyes from the computer screen for a while and have a chat; if she didn’t, Margie would go upstairs to watch Netflix until her internal timer told her it was time for fresh coffee. She’d ignore Bill’s ever more insistent “Get your ass to bed and let that girl get her own damn coffee.” Fuck you, she’d think.

     Later, Tanya bought markers in bright colours and decorated her straight A transcripts with hearts and flowers. She presented them to her mom with a grin and an extra-large double-double from Timmie’s.

     Tanya had arrived at the cottage at about noon on Tuesday, having spent the time since her expulsion from McGraw & Partners simplifying her life: making arrangements to sublet her apartment for the balance of her lease term, cancelling unnecessary apps and cancelling utilities, scouring her apartment for anything that could conceivably relate to McGraw and couriering the paltry catch to the attention of Elsa Henderson. She checked Mason’s progress with the painting and, reassured he was on schedule, set up a start date with the carpet-layer, started considering colours. She wasn’t ready yet to exchange the shiny red car for something duller and cheaper and so she had it still. It looked incongruous, now, parked behind her Dad’s beat-up old half-ton in the cottage driveway.

     She had kept in touch with Jane daily, worried that Jane’s impulsive resignation might endanger her in some striking or obscure way – professionally, economically, psychologically – all of that was possible, really, for a young person hitting a bump in the road while building a career. But Jane was contented with her choice, had no regrets, and no doubts whatsoever that whatever she chose to do, she would succeed. Tanya felt the same way, but it did occur to her sometimes that they might be mutually delusional.

     Over dinners and coffees, Tanya and Jane had sketched out a plan to work together and build a practice from scratch. Jane, the apple of her Daddy’s eye, had no doubt he would house both her and the business.  And cheaply. Tanya thought she might be able to move back into her old digs in Margie’s basement. But she couldn’t assume.  That’s why she was here, at her Mom’s haven on the shore, reluctant to intrude but needing to feel her out in person, read the unspoken vibes that she’d been able to read unerringly since she was a toddler.

     Reaching the log, they plopped their rumps into its smooth indentations and stretched out their legs. Margie’s knees cracked in protest. She lifted her feet and rotated her ankles to limber them; Tanya bent her knees and tucked her toes into the cool sand. Scabby sauntered back from the water’s edge where he’d been yelling at a floating seabird just out of reach and sat on Tanya’s feet, humming with kitty pleasure.

     They sipped and contemplated the blue/grey horizon, lifted their faces to catch the cool breeze off the water.

     “It’s lovely, Mom” Tanya said. “I can see how you could be contented here. Do you miss home at all?”

     “I miss you guys” Margie replied. “I can’t think about the house yet – makes me, I don’t know – edgy, I guess.”

     “Are you worried you won’t feel any better after the re-decorating?”

     “Yes. I mean, I guess so.” Margie said. “I’m afraid, I think, that it won’t feel any different, that it will feel empty, but full of your Dad and the way we were, the heaviness, the sorrow, you know?”

     “Yeah, I do know, Ma.” Tanya hugged Margie around the shoulders with her free arm, the other held out to balance her coffee so it wouldn’t spill. “Would you prefer to put it on the market, do you think? The new paint and carpets would sure be a plus. You could buy a nice little condo downtown. Try a different kind of life. You might really like it.”

     “I don’t want to give up the house. That house was for you kids, it’s where our memories are, your joys and your fuck ups and your refuge from stuff when you needed refuge. I just need to find a way around this mass of grey concrete that sits on my heart when I think about it. Nobody can budge that for me.”

     “You could take up drinking,” Tanya suggested, with an exaggerated wink and a nudge. “I can help you with that.”

     “No doubt you could, you hopeless young souse.” Margie laughed and put her mug down and twisted it into the sand for balance. She turned to face Tanya. “You’ve given notice at your apartment, right? Have you found anything else yet?”

     “Nope.  Haven’t looked too hard, though.” Tanya answered.

     “Well, I’m hoping you’re not looking too hard because you’d really prefer to move back home. Can I possibly be right?” Margie asked, gazing hopefully into her daughter’s eyes.

     “You can and you are, Mom. I just didn’t want to corner you with a request that might not be welcome. How can a Mom say no to her daughter, right? Especially a hopeless souse like myself.”

     “What if I infect you with my leaden worldview?” Margie asked. “I’m not even joking, Tanya.”

     “Mom, didn’t I grow up immersed in that worldview? Honestly, did it ever stop me? Have I stuttered once?”

     “God, no.” answered Margie. “You never shut the fuck up, as I recall. Blisteringly clear, every word.”

     “D’accord,” Tanya chuckled. “Allons-y. What colour carpet would you like in your bedroom and can I have shag in mine?”

     Margie laughed, remembering the fight she and Tanya had had over the teenaged Tanya’s lust for a bedroom with purple shag carpet and black walls. It went on for weeks, shrill and loud, with banging doors and stomping feet, on Tanya’s part, and solitary walks around the block, cigarette clenched in jaw, on Margie’s part. Margie had been appalled but impressed with Tanya’s mastery of imaginative profanities. (Tanya insisted, wide-eyed and deadpan, that she had learned every word from her brothers and didn’t really have a clue what she was saying.) Eventually they compromised: purple shag with lilac walls. The colour scheme prevailed until Mason came to work his magic this summer.

     “Actually, Mom, I think I’d like nice wooden laminate and some of those distressed-looking area rugs. I’ll pay for them – it’s sure to cost more than wall-to-wall. And I’ve got to have your ‘Garbage In, Garbage Out’ watercolour for my bathroom.”

     “I thought you might like that one,” Margie chuckled. “Seriously, Tan? Those rugs look like they’d been shoved into someone’s attic after 50 years of hard usage. They’re missing half their pile, or flocking, or whatever the hell you call it!”

     “Oh, Mom, they’re charming! Cottagey.”

     “Hmmph. Cottages are where people send their old shit to die. They don’t bring it back home for another go-round.” Margie retorted. “Sure you don’t want to dig up that iron bedstead planter from the garden for your bedroom?”

     “Remind me to text the carpet guy later and ask him to measure for the laminate. I’ll check out Home Hardware and a few other spots for rugs when I get back. Are you sure you wouldn’t like an area rug in the living room, Ma?”

     Suddenly, Margie could see it: The textures of antique-ey carpet and the rough grey stone of her living room fireplace. Of course, the rug belonged on a floor with warm wood tones. “Oh shit, Tanya. Tell him to measure for laminate in the living room and dining room, too. Scope me out some of those phoney antique rugs when you get back. Dammit.”

     “That’s the spirit! Come home for the weekend – we’ll shop and hang out with Darren and his fam and Jason. Do BBQ, have beverages, play cards.  They can be our beasts of burden when we shop. What do you say?”

     “I think you’re dreaming,” Margie laughed. “When’s the last time we had them both in the same room at the same time?”

     “Dad’s funeral, Mom, remember?”

     Margie nodded, shaken. She realized that her mind had skipped right over that date, this fact: Bill’s death. Is this what healing means? she asked herself.

What the heck am I doing?

I have written a lot of stuff over the years, most of it academic and/or technical in nature. I wrote for school or I wrote for work. I entered fiction-writing a little late in the game, but I’m doing my best to make up for lost time! Since January 2025, I’ve written and published two novels, ‘The Cottages at the Cape – Margie’s Summer Getaway’ and ‘The Burin Girl’(submitted to a couple of competitions) and a novella, ‘La Veuve Michel’. I’ve written several short stories that feature my adopted home of St. Catharines, Ontario which are currently making the rounds of short fiction competitions, and will eventually be published as a collection, and I’ve started on a third novel which will be a sequel to The Cottages at the Cape.

What’s the rush, says you? I’m seventy-four, says I.

So what do you do when you are seventy-four and you suddenly decide you’re an author? Well, you can’t play the usual games, that’s for sure. You can’t woo agents and wait months to hear back from folks. What you become is an ‘Indie Author’ and you learn the hard way how to prepare a manuscript to become an ebook, and/or a paperback or, if you are truly narcissistic, a hard-cover to display coyly on your coffee table. (Yes, I just yesterday published ‘The Burin Girl’ in hardcover – how could I not?) Bless all the publishers who provide an outlet for us ‘Indies’.

The downside is that self-published writers don’t qualify to enter the biggest, juiciest, most lucrative and prestigious competitions. No false modesty here – I’m a fine writer and I think it’s a shame.

And I could use an editor. I’m still finding typos and silly-looking shit in my stuff.

Now that I’ve got that off my chest, let me tell you that this writing adventure? It’s one of the most exhilarating, challenging and enjoyable things I’ve done in decades and I’d recommend it to anyone who feels they have something to say or a story to tell. If you feel it, my friend, just go ahead and do it!

Behind the Blue Door

The blue door above is the outside entrance to my living quarters, a cozy one-bedroom in my sister and her husband’s home in St. Catharines, Ontario. Within this door is everything I need: comfort and ease and quiet to pursue my interests, whatever they might be at any particular moment. A perfect lair for a retiree and her cat. Meet Roy.

Beth and J.C. are my great friends: Beth and I take turns making and serving pretty darn good dinners; we enjoy weekend games nights with our friend Karl and our summer evenings are full of Blue Jays – not the avian kind.

Beth and J.C. know, however, that there is something odd about the critters in their basement. Sometimes it’s not the least bit quiet down here, because Roy is the loudest and most opinionated feline you’ve ever seen. I’ve had many, many cats and he is the most vocal of them all, by a country mile. (Is a country mile longer than a city mile, do you think? And if so, how?)

He doesn’t look like an insecure cat, does he? Just check out that impertinent stare. But if I am not anywhere that he can hop on my lap when he has a mind to, he makes a great deal of noise – his voice, and powerful it is, sounds like that of a heavy-smoking, whisky drinking karaoke acapella metal music singer. I’m going to record that voice and post it here one of these days. Just so you can experience Roy in all his wild glory.

When it’s quiet down here, though, it’s very, very quiet. Sometimes Beth fears she’ll find me comatose with the TV remote in my hand and the screen gone to bright silent blue. We are that age, you know. But, so far, it means I’m writing and Roy’s hanging around, just chilling. As long as I remember to feed him, he’s good for hours at a time, lounging beside me where ever I’m perched – couch, bed, armchair. I have a desk but I’d rather slouch somewhere soft and warm.

Sometimes, though, he’s had enough. He installs himself beside me and works his pointy little head under my arm, worms his face up to mine to lick my nose. Then he twists his rather long legs around my belly and pats the keyboard with one or two paws – enough to wreak havoc on whatever I’ve just put up on screen. Roy’s one of my blocks. I dedicate this blog to him, and all the other things that trip us writers up mid-sentence.

Hence the name writersblocks.blog. Here’s to you, Roy.